FROM MUKHOTA TO DIVINE: REGIONAL VARIATIONS IN RELIGIOUS MASK MAKING PROCESSES ACROSS UTTARAKHAND'S CULTURAL LANDSCAPE
- Authors
-
-
Somya Rawat
Author
-
- Keywords:
- Mukhota, Religious masks, Uttarakhand, cultural heritage, traditional crafts
- Abstract
-
The religious depiction through mask making in Uttarakhand represents a unique combination of devotion, craftsmanship, and cultural identity which is deeply rooted in rituals through theatres and festivals of its three prominent regions—Garhwal, Kumaon, and Jaunsar–Bawar. This paper gives a contrast study between the materials, techniques, and symbolic functions of masks, examining their role as spiritual mediator in local worship practices. Ramman Festival of Garhwal region where masks are created through carving from Bhojpatra are consecrated temple objects, connecting mythological epics and community ritual performances. Hill Jatra masks from Kumaon, crafted from wood, papier-mâché, and clay, to make agrarian deities alive during harvest rites, reflecting the connections of folk theatre, morality tales and traditions. Meanwhile, Jaunsar–Bawar’s Pandav Līlā masks are essential to trance-based ceremonies, where priests channel Mahasu Devta and Pandava spirits, depicting tribal–Hindu syncretism.
With ethnographic observation, artisan interviews, and document analysis, this study portrays both shared and separate processes of mask creation, from different materials like from wood selection and carving to ritual consecration. In that, all three regions serve as sacred incarnations of divine power, variations in iconography, crafting methods, and community hierarchies underscore localized religious narratives. By comparing these regional practices, the paper argues that Uttarakhand’s mask is a living traditional culture that not only sustains religious expression but also treats it as a symbol of collective identity and heritage. It emphasizes the importance for context-specific preservation strategies, combining artisan training, and digital documentation to preserve these cultural assets for future generations. - Author Biography
- Published
- 2025-09-30
- Section
- Articles
- License
-
Copyright (c) 2025 ART ORBIT

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
How to Cite
Similar Articles
- Poonam Devi, THE CONTRIBUTION OF POTTERY TO THE GLOBALIZATION OF INDIAN ART , ART ORBIT: Vol. 1 No. 03 (2025): ART ORBIT ISSN 3107-670X
- Dr. Sanchihar Manisha, The Communicative Nature of Art in Ancient and Contemporary Contexts , ART ORBIT: Vol. 1 No. 03 (2025): ART ORBIT ISSN 3107-670X
- Dr. Veena Chaube, INTERRELATIONSHIP BETWEEN ART, FOLK ART AND SOCIETY , ART ORBIT: Vol. 1 No. 03 (2025): ART ORBIT ISSN 3107-670X
- Kavita Yadav, Arts and Literature in Education: A Comprehensive Analysis , ART ORBIT: Vol. 1 No. 03 (2025): ART ORBIT ISSN 3107-670X
- Rajesh Kumar Sharma, ADORNMENT AND SYMBOLISM IN THE SCENIC PAINTING OF RAJASTHAN , ART ORBIT: Vol. 1 No. 03 (2025): ART ORBIT ISSN 3107-670X
- Meraj Ahmad, NEW MEDIA ART AND SOCIAL CHANGE , ART ORBIT: Vol. 1 No. 03 (2025): ART ORBIT ISSN 3107-670X
- Reema Phulwari, Indian Diaspora: Expansion Of Indian Perspective , ART ORBIT: Vol. 1 No. 03 (2025): ART ORBIT ISSN 3107-670X
- Preeti Kapariya, Contribution of Contemporary Women Artists: Artists' Voice and Art Medium : with reference to Anita Dubey and Nalini Malani , ART ORBIT: Vol. 1 No. 03 (2025): ART ORBIT ISSN 3107-670X
You may also start an advanced similarity search for this article.
